Originally intended as a "cinematic scrapbook" for Andrew Bagby’s infant son, Zachary, the film shifted focus as real-time events unfolded, eventually centering on a high-stakes custody battle and a critique of the Canadian legal system.
Kuenne used rapid-fire cuts, intercut archival footage, and a personal, often frantic narration to mirror the escalating emotional intensity of the situation. Dear Zachary: A Letter to a Son About His Fathe...
Kurt Kuenne served as the film's director, writer, producer, editor, cinematographer, and composer, lending the project a raw, deeply subjective intimacy. Originally intended as a "cinematic scrapbook" for Andrew