Next to him, Mac Savage is reloading a heavy revolver. Mac is the loose cannon, a guy who wears Hawaiian shirts under a Kevlar vest and thinks "property damage" is just a suggestion. They are chasing a van through the neon-soaked rain of Industrial District 4.
The video begins with a heavy layer of digital grain and a timestamp from 1987. Rick Kelson is behind the wheel of a battered black interceptor, his knuckles white against the steering wheel. He is a man of few words and even fewer smiles, a veteran detective whose badge is held together by scotch tape and stubbornness.
The van shrieks, metal grinding against asphalt, and flips into a spectacular roll, crashing through the gates of an abandoned shipyard. Kelson slides the interceptor to a halt just inches from the wreckage.
The van ahead swerves, its back doors swinging open. A man in a trench coat leans out with a prototype pulse rifle—the very tech they’ve been tracking for months. The first shot turns a nearby dumpster into molten slag.
Savage looks at the rain-slicked pavement and shrugs. "Retirement didn't take. Too much quiet, not enough paperwork."
Kelson slams the gear shift. The car lunges forward, closing the gap. Savage leans out the window, wind whipping his hair, and fires three perfectly placed rounds into the van’s rear tire.