[s3e23] Greg And | Larry

"Greg and Larry" is widely considered one of the best episodes of the series, often appearing on rankings from sites like Thrillist . It works because:

The episode’s closing moments are a direct, stylistic homage to the film . As Jake (Larry) picks up a newspaper from his front garden and greets Holt (Greg), the scene mirrors the "average nobody" ending of the legendary mob movie. [S3E23] Greg and Larry

The episode doesn't just resolve a high-stakes FBI mole plot; it fundamentally uproots the show’s setting, trading the familiar precinct for the humid, palm-fringed witness protection of Coral Palms, Florida. This transition is encapsulated in the aliases "Greg" and "Larry," which serve as a comedic yet poignant symbol of the characters' forced detachment from their true identities. The Double Life of Greg and Larry "Greg and Larry" is widely considered one of

In the world of sitcom finales and season cliffhangers, few transitions are as jarring or iconic as the one at the end of Brooklyn Nine-Nine Season 3, Episode 23, titled "Greg and Larry." The episode doesn't just resolve a high-stakes FBI

The episode's title refers to the witness protection identities assigned to (Greg) and Jake Peralta (Larry). This name change is more than a plot device; it represents a total inversion of their established personas:

: The stoic, rule-following commander is forced to adopt a suburban, mundane life. Watching Holt—a man who once said "I’ve never been more serious" about a balloon arch—try to blend in as a typical neighbor is a masterclass in deadpan comedy.

: It forces a resolution to the intense Figgis storyline that threatened the entire squad.