Salгі, Or The 120 Days Of Sodom [ ORIGINAL ✭ ]

Reviewers from The New Yorker describe it as "essential to have seen but impossible to watch," noting it represents depravity that may be unsurpassable.

Pier Paolo Pasolini’s final film, Salò, or the 120 Days of Sodom (1975), is widely regarded as one of the most controversial and disturbing works in cinema history. It transposes the Marquis de Sade's 18th-century novel to the final days of World War II in the fascist Republic of Salò in northern Italy. SalГІ, or the 120 Days of Sodom

The film serves as a brutal allegory for fascism and the dehumanizing nature of absolute power. Reviewers from The New Yorker describe it as