The | Heiresses

The story follows (Ana Brun) and Chiquita (Margarita Irún), a lesbian couple from the Paraguayan elite who have been together for 30 years. As their inherited wealth disappears, they are forced to sell off family heirlooms to manage mounting debts.

Director Martinessi describes the film as a "coming-of-age film for a 60-year-old woman," focusing on Chela's internal revolution and newfound independence. The Heiresses

The status quo is shattered when Chiquita is imprisoned for financial fraud. Left alone, the introverted Chela—who hasn't driven in years—begins an unlicensed taxi service for her elderly, wealthy neighbors to earn money. This "side hustle" leads her to meet , a younger, free-spirited woman who sparks a sexual and emotional awakening in Chela. Key Themes & Analysis The story follows (Ana Brun) and Chiquita (Margarita

The contrast between the rigid, decaying mansion and the freedom Chela finds behind the wheel of her old Mercedes serves as a primary metaphor for her transformation. Critical Reception & Awards The status quo is shattered when Chiquita is

The Heiresses was a major success on the festival circuit, holding a on Rotten Tomatoes .

It was Paraguay’s official entry for the Best Foreign Language Film at the 91st Academy Awards. Film Review: ‘The Heiresses’ - Variety